History of Caroline and her Witches

When I was a mere sparrow-like 7 year old girl in England I was certainly regarded as peculiar. I grew up in an old Tudor village in the countryside where the houses were older than the United States of America and the rooftops were made of thatch. I used to lean out of upstairs windows and pull straw from the thatch to make broomsticks to play on and give out to friends. And it was at this age that I wrote and illustrated my first book. It was called 'The Witch's Day'. It got my photo in the local paper.

It would be accurate to say that I've always had a passion for the subject of the fairy-tale witch.

I started developing 'Good Witches Bad Witches™' in 2015. The world and the characters have been so much fun to design and build. Almost from the very beginning it attracted interest and many of you wrote and asked me to sell them to you. I did not. I needed them for this project! But I began my research into how to get them mass-produced (in small numbers, but still) for you. For the past 9 months I've worked towards this. I am proud of what I created. Hortense is my finest witch. She's meticulously well made and I'm so happy with the result. I love the character of Hortense; a bad witch from Exilium - the land witches were banished to. She's a perfumer by trade and her story is a funny and interesting one (I'll tell you more about the books in development in another post soon).

This is a small run of 300 Hortense figurines. When they're sold out they're sold out. They're currently on a sale I am offering (of $40 off the total price) and then they'll return to the regular price.

Also, I spent the past 3 days editing together this video showing the process of creating Hortense, which I hope you enjoy.

I'm popping to England in a few days and will be gone for 2 weeks, but business will return as usual when I am back. Any queries, you can always message me via my Tall Tales Productions Facebook page. Until then, here are some of my witch characters. Thank you for following this project!

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Starstruck and Hutch

Awards season here in LA is always fun for me because I never stopped being that awkward English girl from a tiny village in the middle of nowhere, who clipped images of Harrison Ford and Mel Gibson from TV Guide and plastered them all over her school textbooks.

Last Saturday was the Producers Guild of America annual awards ceremony at the Hyatt Regency Century Plaza, and I loved sitting a few tables away from Clint Eastwood, Brad Pitt, stunning Keira Knightley et al. The highlight was listening to producer Gale Anne Hurd describe how she climbed that ladder as a female producer in the '80s. 

Photo courtesy of John Shearer

Anyway, I owe you photos and explanation as to how I made more of the furniture in the Santa's Workshop miniature piece. People have asked about the hutch, so I've explained below.

Note to non-American English speakers... 'hutch' is not something to keep your pet rabbit in. Here in the US 'hutch' means Welsh dresser. Yes, hutch means dresser. I know... baffled me at first too.

When designing the Santa / Father Christmas Workshop set, my aim was that it shouldn't look too realistic or dollhouse-esq, but like a whimsical, magical little world. I created the furniture to be a bit kooky and asymmetrical. You can see a sketch of the hutch in a previous post here. It should look a bit like a gingerbread house, full of unusual sweets and with painted decals like something from Germany or Switzerland. 

I started by cutting odd shapes of basswood and gluing them together with wood glue. I built up the shelves and sides of the hutch with further pieces of basswood. Each time I glued something down I had to clamp it and wait as basswood easily distorts. 

I cut the top front piece with an arch, to display something decorative inside it, and made sure the heights of the shelves would fit my tiny glass jars.

The candy took days longer than the hutch. Pieces were made by me from polymer clay using a caning technique. I made lids for these tiny glass jars (jars were sourced), filled them with different colourful candy and glued the lids down.

The cupboard doors and drawers didn't need to open, so I made paper templates of different fun shaped door facades, then traced them onto basswood, cut them out, sanded them, stained them with the same wood-stain and glued them down.

I drilled holes into each door facade and glued tiny wooden doorknobs in. This really helps to create the illusion of an opening door / drawer. I also painted detailed tiny patterns at this stage.

Next all I had to do was glue all those tiny glass jars of candy in place, and paint a wooden ladder in a candy cane design. I also added individual pieces of candy on the bottom shelf and tiny folded silk cloths which were ironed and glued into shape beforehand.

Published Tutorial just in time for Halloween

Just gave a tutorial on how to make one inch scale pumpkin cauldrons for a magazine (out now and available here). These are basically props for 'Myrtle the Witch', but as many of you know I am partially funding the project by selling replicas of props for the film. The editor took an interest in my work and now it looks like her readers may be able to get the clay out for themselves.
Take a look, let me know what you think. :)